
Right now, I think this is the only record from this year that would make an even more massive list know as the “FAVORITE 100 of the ‘00s.” (Note use of word “FAVORITE.”) I f’en heart the balls off this record.

Am I the only person in the world of people who post their opinion in Blog or Facebook or Friendster form who think this record is astoundingly good?

I don’t know too much about these guys except that this record has about 2 or 3 of my favorite songs of the year. (There’s that word “favorite” again. It’s getting to be a habit like my SMTWTFS vitamin container.)

It seems like 90s indie rock is poking its head into more and more things. And as a musical child of that era, I applaud the young kids for picking up their ears and taking notice. I think my friend Ali would say these guys are “FUN.”

These guys have a style similar to the guy at #8 Andy Dixon. I guess I like this style of music. I wish someone would come up with a –ism or –rock for it. That would help me in a couple spots.

Kind of gorgeous sounding.

Again in the 90s indie theme, it’s TMTS. I think it’s the vocals for Los Camp! that I like a little more, but this record was so easy to get into for me. Just great pop songs.

Anyone have a response to #5? Thanks for nothing. I probably listened to his song “Animal” as much as any other song this year. (And I did! Thanks, LastFM!)

I saw that Meric Long kid a while ago and liked him enough to pay $5 for his cdep. (I know! 5 bucks! I should get a wing at the Guggenheim.) This album improves upon that little 5 song EP greatly.

Might have the best voice in indie rock. Well, Canadian indie rock. (Shit. Sorry. Might have my FAVORITE voice in Canadian indie rock. Shit. Sorry. FAVORITE MALE voice. Sorry, Feist.)

I think bands have secret weapons. Is it the gruff Scottish accent? Maybe at first listen, but mostly for me, it’s the odd rhythms FR uses. Everything’s just a bit off-kilter from a normal pop song beat. It’s refreshing.

This is my favorite thing Elverum’s done. Or at least neck and neck with Glow Pt 2.

These guys make me feel young. Is noisy lo-fi the aural fountain of youth? I’ll ask my sliding metabolism.

It’s the goo-fest of the year for a reason. It holds up very well. Perfect blend of MMJ and Band of Horses.

I only dock her points because of the ridiculous album title. Psych! I like it too! Boy, my wife would hate this record...

My wife would hate this too. I think this album is one big FU at every turn. Just Geoff Barrow just doing whatever the hell he wants. Like “Deep Water.” What the hell is that song doing on a Portishead record?

The Tar award for the band that keeps making the same album every year except it’s always better, er, more enjoyable. I always like their records. And since they’ve only gotten better, er, more enjoyable, it makes sense to get more and more excited about the next one.

My Cat Power fix (even though the cover album was enjoyable.) And SKB sort of separates herself from Ms. Marshall by sounding like she could kick my ass. (I could absolutely take down Cat Power.)

She’s got this mischievous elfish voice thing going. Is that an Icelandic thing? It works whatever it is.

Speaking of Iceland, my appreciation of this record mostly stems from how adventurous these cats are. I like that. It makes me want to check out the next thing they do.

3 solid records from this guy.

Thank you, blogosphere, for this one…

Of all the post-punk GO4 rip-offs, I’m not sure these guys aren’t my favorite. And I swear that’s a compliment.

They do some really interesting things as a 2 piece. Since they’re in LA I want to see them play sometime, but I’m afraid I’ll be 10-15 years older than everyone else attending.

2 records in a row from this guy with just brilliant DIY orchestration.

This is like a lo-fi LCD Soundsystem. Very crafty and catchy dance pop that you could never dance to. Perfect for indie rockers.

That’s a heavy dose of quality quantity. Nothing ever grabs me by the short hairs from this band, but everything they do seems to work in some way or another.

Harking back to the 90s indie theme of 2008, Envelopes certainly fit in. And like Los Camp!, they’re very crafty and smart with their pop songs. None of the songs are as enjoyable as “Sister in Love” for me, but this album is more consistent. (For me.)

I’m buying more and more into what the cLOUDDEAD family is selling (see favorite record of the year choice.) They’re as adventurous as Why? musically. I think I just prefer Why?’s lyrics/voice. And his songs are a bit more welcoming. Still, prog on, brothers.

It’s hard to embrace the actor-turned-singer genre. So the fact that I listed it at all emphasizes how hard it is to not like this record.

This guy’s last couple records have really gotten me hooked. I think “Mockingbird Diet” might be one of my favorite songs of the year.

I’m all over the map with this record. Right now it’s placed here. Yesterday maybe in the 40s. Tomorrow maybe in the 20s. It’s worth the investment however.

Like Baby Dayliner with a real backing band produced by Bryan Ferry.

I’m probably the only person who enjoys this record more than fellow Baltimore band Beach House’s much more critically lauded Devotion. 2 songs on this record, “Family Glue” and “Archaic Smile”, are devastatingly good.

RAWK. It’s simple, but very effective RAWK.

In some ways, I’ve liked this album more than the Deerhunter stuff. Maybe if there were two Atlas Sound records, the list would be a little different. Work harder in ’09, boys!

Buried under all the noise and drone are some very quiet, pretty songs sung by a very quiet, pretty voice.

I’ll take him happy, sad, indifferent, lip-syncing Kanye West songs. Whatever you got.

He puts songs together brilliantly.

I might have to look more into old Deerhoof. They might have slipped by me for the past few years.

Poor man’s Caribou, which is a better thing to be than, say, a poor man’s Bon Jovi.

This album is beautiful enough to fall asleep to. That's a bigger deal than you might think.

I ripped this off from this one blogger’s top ten list. I can hear why she likes it so much. I like it more and more as I listen to it. Maybe another week and it creeps up? No, must finish list…

I just really dig the Black Moth Super Rainbow sound. And it morphs perfectly into hip-hop.

It’s kind of hypnotic how she uses her voice over these throwback-style tracks.

Gentle, pretty home spun folk.

Generally, I don’t like power pop. This Jesse guy I like. (As well as his men.)

It’s pretty impressive to have an album get this slathered and slobbered and not resent it a bit. But it’s still a fun, interesting record, which survives the hype.

This record is so much better than the band name. Which is one of the worst band names around. Up there with Radiohead.

I still like these guys. I like this record. But honestly I’d listen to the Young Liars EP before anything that’s come since. They still have my attention and it’s a good record compared to most. Just expecting a little more.
In the spirit of sharing, I've posted one song from each record in downloadable form. Click the links:
Best of '08 Sampler #1-10
Best of '08 Sampler #11-20
Best of '08 Sampler #21-30
Best of '08 Sampler #31-40
Best of '08 Sampler #41-50
No comments:
Post a Comment